Erin Schallmoser
John at the Washington State Department of Licensing
asks me if I live nearby, instructs me to come back with my certified marriage license so he can prove a link between my two names, writes me what he calls a hall pass so I can actually come back the same day instead of waiting another 30 days for an appointment, tells me to get his attention when I come back, says bright colors and big movements usually do it for him, feathers his fingers over my marriage license when I return with it less than half an hour later, says that’s the embossment we’re looking for, asks if I got married in the part of Florida that’s still inside the United States and I don’t realize it’s a joke at first, and I think that embarrasses him, goes out the back door for a smoke once he’s done with my application and he must recognize me from inside my car because he waves his hand at me as I drive by just like I had waved my hand at him when I returned. The movement catches my eye and I turn my head to find the origin but I recognize him too late to wave in return. And driving past him, I am left to smile to myself, exclaiming John, that was John! as I turn left through the parking lot, leaving him behind with his name, the same as my father’s, and his half-smoked cigarettes and his half-baked jokes and his impossible optimism.
Erin Schallmoser (she/her) lives in the Pacific Northwest for now, and loves moss, slugs, and the moon. Her work can be found in Nurture, Paperbark, Hobart, Rejection Letters, Maudlin House, and elsewhere. She is the founder and editor-in-chief of Gastropoda, and is on Twitter @dialogofadream. You can read more at erinschallmoser.com/.